well, it's up to your preference but cmv2.9 + L1/L2 generated trims most of the times looks closer to cmv4.0 L1/L3 tone mapping and a lot of colorists seem to be ok with generated trims for the cmv2.9 bluray delivery.ans40 wrote: Thu May 23, 2024 2:59 am Trying to understand the final verdict on this. Since we don't have the colorist to determine if overriding the generated L2 trims is appropriate, isn't the best option to still remove the trims? Or are you saying that leaving them in there seems okay since colorists often end up keeping the generated trims anyways? To keep or not to keep -- thoughts?thanks
One thing is for sure, they rarely do 600 and 1000nits trim and they only do a 100nits L8 trim and any adjustment will be reflected in the generated cmv2.9 trims bloc at three levels (100/600/1000). A cmv4.0 workflow is more aggressive and seems to be designed to never clip unless you change the L1 tunning. Old cmv2.9 workflow without doing trims can look brighter but can clip.
Now that I have access to the trims control in Resolve, I did an example of how the level 2 trims get updated through L8 100nits: https://www.youtube.com/watch?v=15HTaR0hRvI