miceagol wrote:Do the DTS and DD tracks have anything to offer over the PCM track? I'd want the best possible quality when I play the rips through my TV system.
The only advantages DD (AC3) has over PCM are the bitrate and compatibility. Any TV capable of receiving Digital Television can decode AC3 and anything that can play a DVD too. Traditionally, PCM has had too high a bitrate to be used for transport so many devices won't accept it despite the fact that they probably use it internally. If the TV (or attached Media Player) is capable of accepting PCM then there's no need for AC3, otherwise it's not hard to convert a PCM to AC3 (or AAC, or FLAC) later using eac3to or similar. As devices evolve, compatibility (and even bitrate) will become less and less of an issue. DTS has diddley squat over PCM and most of its advantages over AC3 are imaginary. Unless you want to keep tracks because they MIGHT feasibly be useful sometime down the track you should stick to PCM (and maybe even convert THEM to FLAC). If you listen to the two PCM tracks on a 2.0 system and can't tell the difference you might even consider ditching the 2.0 version as well, it depends on how well they optimised the sound for the speaker layouts. (I assume they are all the same, with no commentaries or other alternates).
If Plex lets you store videos on an iPad to watch on the go it may make handbrake redundant. Personally I've gone with the AVISynth, X264, Eac3to, NeroAAC, MP4Box route for my iPhone (with a lot of help from batch files and powershell).