Hi @RESET_9999,
As always, thank you for maintaining the amazing script and tirelessly testing DV displays and releases. A few feedbacks:
1. On line 10467 in the DoViBaker workflow, the path to DGDecodeNV.dll is hardcoded instead of referencing
DGIndexNV_path.
2. I tried out the new DoViBaker FEL screenshot workflow. First of all, great stuff! I was able to
compare the BL vs FEL on Criterion's Three Colors: Red and confirm that there's basically zero recovered detail from their filtered BL. One pain point though: It appears that we still need to manually take screenshots through AvsPmod. Do you know whether AvsPmod is scriptable? Would it be possible to automatically take X sets of BL vs FEL screenshot comparisons from a given clip? Obviously you can't select ideal frames for screenshots this way, but it's still useful for a quick comparison to see if the EL contains visible information.
3. The 1.8.3 release notes currently suggest "copy[ing] the dovi.dll into 'C:\Windows\System32'". FYI it doesn't need to be System32--any dir in the
Path environment variable would do. IMO it is a security risk to ask users to copy binaries into System32.
4. On line 10385, have you considered making the sample maker's timestamp range configurable at the top of the file?
5. On your GRADE/MASTER CHECK (P8 DV HYBRID) sheet, some titles are released in different regions with different gradings/ecnodes by different studios, so clarifying the version may be helpful. For example, Paramount's
Arrival (2016) in the US/UK looks different from Sony's in the EU and all the DV WEB-DLs I can find seem to be Sony's grading. (From what I've read, Paramount's grading is more faithful to the original.) Another one would be
Escape from New York (1981): Both Shout Factory and StudioCanal's releases have DV FEL. Wondering which one is your
plots taken from?
Finally, a question I've been curious about but don't know where else to ask:
Does anyone know how DV tone mapping interacts with ABL? Say we play a prolonged 1000 nits sequence on an OLED with 800 nits peak brightness. Initially the panel can tone map that according to its (statically stored) peak brightness capabilities and an extrapolated curve from metadata in the L2 trims. But as time goes on and ABL kicks in, does the DV engine have access to the now lower peak brightness number to tone map from there?
Thanks again!