yes, they are all in sync. You can ignore the delay notes in the filename.
If you're still not sure (different bluray region, different cut), you can use the script (2-4) and verify if the scene cut matches your bluray.
yes, they are all in sync. You can ignore the delay notes in the filename.
L1 metadata is generated by an algorithm(it just map the hdr grade) and only the L2 trims are done manually so the intended look is preserved.LV8HD wrote: ↑Mon Feb 27, 2023 5:04 pm@RESET_9999 What do you think about Auto Generated Dolby Vision?
I mean, usually, behind every grade there's a human eye that checks the grade result often with the supervision of the movie director himself. So my question is: When we do custom grades (auto generated with DaVinci), is the movie director intent of watching the movie preserved? if so, is it really that better than having standard HDR10?
Sounds like you are using the old dovi_tool version .whatsmyname wrote: ↑Mon Feb 27, 2023 7:14 pm@RESET_9999 I get an error when trying to plot DV metadata "error: The subcommand 'plot' wasn't recognized". I think I installed all the requirements and hdr10+ plotting works even though it uses the same subcommand. Is there something else I need to do or is this an issue with the script?
Thank you, that fixed it!RESET_9999 wrote: ↑Mon Feb 27, 2023 7:37 pmSounds like you are using the old dovi_tool version .whatsmyname wrote: ↑Mon Feb 27, 2023 7:14 pm@RESET_9999 I get an error when trying to plot DV metadata "error: The subcommand 'plot' wasn't recognized". I think I installed all the requirements and hdr10+ plotting works even though it uses the same subcommand. Is there something else I need to do or is this an issue with the script?
update to the latest one:
https://github.com/quietvoid/dovi_tool/ ... /tag/2.0.2
nop, none that I know.
I came across one RPU where the number of frames is 4 frames greater than the mkv I pulled directly off the UHD disc. I went through the Hybrid maker and removed four frames. Is there anything more to it than that? This is the first one I have come across that didn't match exactly, so I wanted to make sure I am not missing something.RESET_9999 wrote: ↑Fri Feb 24, 2023 8:19 pmif you want to save some time, I already generated DV in resolve for most of the movies, here are over 600 RPU files ready to be injectedCode: Select all
https://mega.nz/folder/CjYWyaZR#tSlKPhdblAd8shSaYoiOWA
nothing more to do... which movie is it?
Thanks for the reassurance.
So, is this generated Dolby Vision really better than having standard HDR10? well, I really though that it couldn't beat the quality of the source file.RESET_9999 wrote: ↑Mon Feb 27, 2023 5:18 pmL1 metadata is generated by an algorithm(it just map the hdr grade) and only the L2 trims are done manually so the intended look is preserved.LV8HD wrote: ↑Mon Feb 27, 2023 5:04 pm@RESET_9999 What do you think about Auto Generated Dolby Vision?
I mean, usually, behind every grade there's a human eye that checks the grade result often with the supervision of the movie director himself. So my question is: When we do custom grades (auto generated with DaVinci), is the movie director intent of watching the movie preserved? if so, is it really that better than having standard HDR10?
Thanks, I just checked mine and it's in sync.
Of course, you send brightness information(L1 min avg and max) about the content to the TV shot by shot.
When you say "verify the scene cut" do you mean verify the frame counts of the video file and the rpu, like I did? Or is that a specific process I can run with the tool?RESET_9999 wrote: ↑Mon Feb 27, 2023 11:58 pmBut it is better to always verify the scene cut when you inject someone else RPU.