www.makemkv.com

Happy New Year.

Just to clarify when I use the DoVi scripts to plot a UHD disc with Profile 7 FEL the graph is using all the Profile 7 FEL layer metadata?

In the script 3-1 it works properly, I just tested it. If you do the xml in resolve , you have to edit L5 when you inject in 1-1 because otherwise, the dovi_tool cannot know which side is 281 or 280 but the analysis itself in resolve is correct. I updated to you 1.9.8.6 scipts and yes you are right...

use 281/280, L5 works just fine with non-even or non mod 2 crop. in fact, when you select 2.39(not manually) in resolve you get L5 : 276/277 AVSPMod show the Black bar area for my Inception clip test is Top 281 Bottom 280. When I use Top 281 Bottom 280 using DoVi script the resulting rpu has L5 Top...

Hi

I have a film where the top black bar is 281 and the bottom is 280.

How do I crop this correctly for dolby vision analysis?
If I under crop I will get wrong min values in my analysis and if I over crop I will not anaylze the whole active area?

Cheers

RESET_9999 wrote: ↑

Mon Dec 18, 2023 7:20 pm

never i guess.

heh cheers!

Hi

When creating a ProRes 422HQ with the DoVi Script when would you change the cropping option to yes?

Cheers

yes, my script use the same Dolby algo. You can control the tuning in the script main settings :: choose the L1 analysis tuning... Choices are: old=0 - Most Highlight Detail/Most Mapping=1(default) - More Highlight Detail/More Mapping=2 - Balanced=3 - Less Highlight Detail/Less Mapping=4 - Least Hi...

How do I use the original scene cuts with your script 3-1 its all automated but read the instructions on the github webpage for more info: MODE.H (3) looks like Resolve the way to go. Do you discard the L2 100nit when you generate L1 Resolve metadata? or only discard the L2 600-1000 trims? The scri...

Would it then be better/cleaner to generate a Resolve rpu in all these cases? (Just keeping the L1 metadata ). or better , use my script 3-1 and use the original scene cuts. How do I use the original scene cuts with your script 3-1 I personally go even further, I generate new L1 for movies without ...

Hi Reset From my understanding the colorist take their L1 Generated DV metadata and make adjustments to the L2 600/1000/2000 nits trims to get the desired look. Is the L2 100nits auto adjusted or is it also manually generated? The P5 rpu i have contain L1 DV metadata and L2 100nit trim and either do...

Hi Getting confused. For injecting Web-DL into UHD. UHD frame 5038 matches WEB frame 5022. So when using NEGATIVE 16 delay the screenshots match using 7 - 2. When I then inject the rpu into my UHD to resync do I also enter POSITIVE 16 to resync the RPU using 1-1? Cheers in 1-1 you want to sync the ...

Hi

Getting confused.

For injecting Web-DL into UHD.
UHD frame 5038 matches WEB frame 5022.
So when using NEGATIVE 16 delay the screenshots match using 7 - 2.

When I then inject the rpu into my UHD to resync do I also enter POSITIVE 16 to resync the RPU using 1-1?

Cheers

Hi Reset

I have HDR10+ metadata but it is 24 frames ahead of my UHD mkv.
Is it possible to resync and inject this with the DoVi scripts ?

Cheers

Preferably a scripted process as I've heard that one is available No idea about handbrake but the script in my signature can bake FEL to P8. Workflow 8-6-1 but it requires an nvidia GPU. it can also encode P5 to P8, HLG to HDR10 or P8 to P8 https://s5.gifyu.com/images/Siv5B.gif When will 1.9.8.6 be...

HotFudge wrote: ↑

Thu Dec 07, 2023 8:56 am

yes but you must have the HDR10 BL. You cant transform a P5 file to P8 without it(without re-encoding).

is workflow 1 then 1 good for converting a P7 MEL like Alita to P8.

workflow 4-2 for P7 mkv rip input
workflow 4-1-1 for BDMV disc input
[/quote]

Cheers buddy !